the digital journal of Anna-Lisa Schönecker

AR paper pop-ups

A wonderful augmented reality piece by CAROLIN REICHHERZER inspired by the book Flatland: A Romance of Many Dimensions by Edwin Abbott. Designed with FLARManager

Landslide in creativity


Press/Pause/Play is a film investigating the change of the creative industry in a digital age.
“A new generation of global creators and artists are emerging, equipped with other points of reference and other tools. The teachers arenʼt certified schools anymore – itʼs web sites, discussion forums and a “learn by doing”-mentality. We see the children of a digital age, unspoiled or uneducated depending on who you ask. Collaboration over hierarchy, digital over analog – a change in the way we produce, distribute and consume creative works.”

Interactive magazine cover

Mouse tracking made visible

http://anatolyzenkov.com/

Web fonts by typotheque

* Works on 95% of browsers
* Multilingual support
* No JavaScript required
* W3C standard compliant

The Typotheque Web Font Service enables you to use custom fonts in your website using the @font-face rule in CSS. Just add a line of code to your page and get it working in minutes. Simple, fast and standard-compliant.

Typotheque Web Font Service demo from Typotheque on Vimeo.

Internet overtakes television to become biggest advertising sector in the UK

The guardian reports that “the UK has become the first major economy where advertisers spend more on internet advertising than on television advertising, with a record £1.75bn online spend in the first six months of the year.”

Giving Character to Characters

organic_type_2009

Organic Typograhy
A project by Richard The | Design Ecology Group | MIT Media Lab

In most applications using digital typography today (e.g., animation or screen display), designers rely on existing typefaces. The possibilities for altering and transforming these typefaces are exploited in many ways. What is currently not explored is another large field of typography: the dynamic, flexible, and organic appearance of handwritten typography or calligraphy. This kind of typography is only brought into the digital realm by laborious processes such as scanning; this is because current file formats for type describe the outlines of the individual letters, not the essence/skeleton/model of a letter that we use when writing by hand. This project tries to explore the possibilities of computational and generative processes to improve and change the visual appearance of typography.

Cadburys raising eyebrows

Viral ad for Cadburys chocolate following the drumming gorilla both by glassandahalffull.

webdesign in 1983



apple.com in 1983, originally uploaded by ubermore.

Website on a trolley

wex2_0
via CR by Patrick Burgoyne

This is the homepage of the site for W139, an Amsterdam-based exhibition and production space for contemporary art. All the elements sit on a trolley that is wheeled around the space and photographed from above.

The installion, known as the WEX machine, looks like this. It photographs itself regulalry through each day. Each new image is then uploaded online and becomes the website’s homepage.

The various elements on the trolley provide some of the functionality of a traditional site: click on the screen on the left and information about the space and its activities can be read. Users can interact with the printer on the right: choose a file from your desktop and the printer will output it, for real, on the trolley in the gallery. When the site next updates, your image will appear in the pile of pages next to the printer.

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  • About observations

    Anna-Lisa Schönecker is a graphic and interaction designer.

    She teaches information design and interactive media at School of Design, University of Applied Sciences Mainz, Germany.